Oil On Canvas, Real Flavor of Old Masters

All Julian Ashton 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
75470  
A Waterhole on the Hawkesbury, Julian Ashton
 
 A Waterhole on the Hawkesbury   A Waterhole on the Hawkesbury (1885, oil on canvas, 59.0 x 95.0 cm sheet) by Julian Ashton (1851-1942). cjr
77351  
A Waterhole on the Hawkesbury, Julian Ashton
 
 A Waterhole on the Hawkesbury   1885, oil on canvas, 59.0 x 95.0 cm sheet) by Julian Ashton (1851?C1942). cyf
75393  
Evening, Merri Creek, Julian Ashton
 
 Evening, Merri Creek   Evening, Merri Creek (1882, oil-on-canvas, 91.5 x 122.0 cm) by Julian Ashton (1851-1942). cjr
32750  
Mosman Ferry 1888, Julian Ashton
 
 Mosman Ferry 1888   mk80 Watercolour over traces of pancil 32.6x41.8cm
77496  
Prospector, Julian Ashton
 
 Prospector   (1889, oil on canvas on hardboard, 213.4 x 116.9 cm sheet) by Julian Ashton (1851?C1942). cyf
42142  
Study of a Woman-s head, Julian Ashton
 
 Study of a Woman-s head   mk167 1890s Oil
75725  
The Prospector, Julian Ashton
 
 The Prospector   The Prospector (1889, oil on canvas on hardboard, 213.4 x 116.9 cm sheet) by Julian Ashton (1851?C1942). cjr
32751  
View of Narth Head,Sydney Harbour 1888, Julian Ashton
 
 View of Narth Head,Sydney Harbour 1888   mk80 watercolour 35.4x24.7cm

Julian Ashton
Australian Painter, 1851-1942 was an Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. Ashton was born in Addlestone, Surrey, England and arrived in Australia in 1878 with a background in the contemporary French realism of the Barbizon School, which emphasised painting en plein air (i.e. direct from nature, as opposed to studio-based painting), and which laid the basis for the Impressionist movement. As a trustee of the Art Gallery of New South Wales he championed emerging Australian artists of the Australian Impressionist or Heidelberg School, and the Gallery's decision to collect these works owes much to his influence. According to James Gleeson, Ashton's oil paintings, much-admired in his own lifetime,



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